http://ift.tt/1Ft7wtc
One of the things I'm most curious about is the score, and I asked him how that's coming along and how it affects the finished film. "The Philip Glass score and the music in general is a huge part of the tone of the film. It's something that Josh had in mind from the beginning of the process. The fact that we got him is insane. We used his music as the temp score. We talked about what we wanted the tone of the music to be, kind of thinking we wouldn't get him and we'd end up playing his music for whoever was scoring it. Marco Beltrami is working with him, so we have this really neat partnership. It's a unique tone for the movie. There's nobody else who has ever composed film music like him. There's a drama behind it that we're definitely going to try to get onscreen."
This is one of the things I'm really excited for!
The use of Glass in Watchmen was one of the highlights.
Beltrami's 3:10 to Yuma score was great but I have a bias for westerns.
One of the things I'm most curious about is the score, and I asked him how that's coming along and how it affects the finished film. "The Philip Glass score and the music in general is a huge part of the tone of the film. It's something that Josh had in mind from the beginning of the process. The fact that we got him is insane. We used his music as the temp score. We talked about what we wanted the tone of the music to be, kind of thinking we wouldn't get him and we'd end up playing his music for whoever was scoring it. Marco Beltrami is working with him, so we have this really neat partnership. It's a unique tone for the movie. There's nobody else who has ever composed film music like him. There's a drama behind it that we're definitely going to try to get onscreen."
This is one of the things I'm really excited for!
The use of Glass in Watchmen was one of the highlights.
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Beltrami's 3:10 to Yuma score was great but I have a bias for westerns.
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